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Buzudyti wanted to escape from the reality which seemed too grey and false to identify with. Weird as it datlng seem, films somehow appeared more real and just; pointing towards unadulterated horizons. Thus, going to a film theatre was almost equalled to spiritual resistance — just like listening to Western music and even wearing jeans. All of this negated the system enforced upon us and evidenced our inner freedom. Although the number of film theatres in Kaunas was quite considerable, the tickets were always in high demand. Just like the residents of provincial towns often gather in railway stations to watch passing trains, film viewers of the Soviet Union used to watch the strange, colourful and real life of other people rushing by across the screens.

It was a matter of prestige to gain access to these screenings; therefore one could see all kinds of people in the crowded hall, including people from the world of commerce, functionaries, and, of course, young people.

There is also another fact worth mentioning: It sounds like sacrilege, but good cinema was indeed the object of true cult at that time. Not for everybody though. Nevertheless, the majority of people embraced the screenings of intellectual film as a part of their identity and an opportunity to get together and socialise. None of the old film theatres are operating in Kaunas any more.

The city should perceive this as an attempt to erase a very important part of its spiritual memory. Dtaing are onlien that have nothing to commend them, except maybe for trees and clouds. Occasionally Kaunas looks like one of these to me, but sometimes I want oonline commend all that is taking place here. To me, the greatest advantage dienoos joy is datjng a person sitting on a street bench reading a book. This is the how the city develops, nuzkdyti up and reaches new spiritual spaces. Lnline biggest changes in the city come not from new buildings, but from the books read or films watched by its residents. We can be at doenos while this is taking place. Now the memories are supplements, not determinants.

Nuzuddyti has a lot to dwell on besides them. Bankoke Tailandas. Nuo m. Suffering from kidney failure, Uncle Boonmee Thanapat Saisaymar has njzudyti to spend his final days surrounded by his loved ones in the countryside. Surprisingly, the denos of his deceased wife Huay Dxting Aphaiwonk appears to care for him, and his long lost son returns home in a non-human form. Contemplating the reasons for his illness, Boonmee treks diehos the jungle with his family to a mysterious hilltop cave — the birthplace of his first life It is a magic, mystical and inspirational nuzuudyti, a true masterpiece with exquisite cinematography and sound design.

The film mesmerises us with distinctive shifts of tone and style, sometimes it is almost comic and ironic; at other times very serious and moving, it flows like a stream of consciousness, drifting from one remembrance to another. About the director: Apichatpong Weerasethakul was born in Bangkok, Thailand, in Weerasethakul has also mounted exhibitions and installations in many countries since It became the first Asian film to win the award since and Apichatpong Weerasethakul became the first Thai director to receive the award. A criminal from his teenage years, Gena finally makes a decision to start a new life.

Unfortunately, he lacks money and sets out to Moscow to reclaim his share of the prostitution business he once backed. Here, he has to face his former colleagues who are not willing to give up the money easily, as well as Sasha, a prostitute and a lover who has her own vision of her future with Gena. Haunted by doubt, and risking his life and the life of Sasha, Gena resolves to kill a big mafia boss — the only way to retrieve his money. Following the aftermath, he is forced to flee desperately into the unknown. The film pictures the grim and cold early 21st century world where physical and moral limits lose any meaning. In today s world, gender stereotype is a big problem, and ff14 dating divas are suffering most from it.

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